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 |  for
soprano Madeleine
Pierard and gateseven |
-
words by Tim Cummings - premiered by gateseven in May 2003 |
In the middle of 2002, Tim Cummings, an American who had been living in New Zealand for some years, returned home and, with his friend Ringo, embarked on a road-trip from Florida to Los Angeles. Along the way he e-mailed his friends a series of haiku poems (sixteen in total) that related his coast-to-coast experiences of a land that, although his own, he had come to feel like a stranger in. From the lethargy and obesity of Florida's residents, to the disturbing cruelty of an animal park tour guide in Louisiana, to the beautiful but oppressive landscape of the desert, the depraved glitz of Las Vegas and the polluted haze hanging above Los Angeles, Tim's haiku, though necessarily brief, said much about the country from which Western popular culture draws so much.
I began the task of setting Tim's words to music as momentum was gathering for the American-lead war on Iraq. Articles in the New Zealand Listener and the writings of John Pilger, and others, on America's place in the world, informed much of how I perceived my texts and coloured my composition.
Don't Mess With Texas is a view - admittedly through a distant lense - of an essentially insular people, whose outward gestures, driven by self-interest and an unconscious belief in the superiority of their culture, often take on menacing forms. The many style quotations should not be interpreted as hammy representations of American stereotypes portrayed with music, but rather should reflect the sometimes dangerous consequences of unbridled patriotism and of ignorance of matters global.
That said, DMWT deals not only with America's human population and alluded to socio-political-environmental matters, but with the beauty of its natural interior, where a redemptive musical language is able to emerge from the urban chaos.
DMWT
is dedicated to Tim Cummings, the sort of open-eyed American the world needs more
of.
click here to read Tim Cummings' sixteen travelogue haiku
mp3 sample (863Kb)
click here
to download the Quicktime Player
Madeleine
Pierard (soprano) and gateseven,
conductor Ewan Clark. Recorded by Michael
Parsons
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